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A visual tour of the glamour and color of Indian cinema in the only comprehensive illustrated guide to the world of Bollywood movies.Mumbai's charming movies, with glittering costumes and epic song-and-dance productions, have captured hearts all over the world since the early 1900s. Bollywood features film stills, plot timelines, star and producer profiles, plus historical insights, lesser-known facts, and behind-the-scenes gossip on such iconic movies as Mother India, Mughal-e-Azam, Sholay, Dilwale Dulhania Le Jayenge, and Bajirao Mastani.A colorful, glittering cover makes it stand out on any home library shelf, and it is the perfect package for gift-giving.

A visual tour of the glamour and color of Indian cinema in the only comprehensive illustrated guide to the world of Bollywood movies.Mumbai's charming movies, with glittering costumes and epic song-and-dance productions, have captured hearts all over the world since the early 1900s. Bollywood features film stills, plot timelines, star and producer profiles, plus historical insights, lesser-known facts, and behind-the-scenes gossip on such iconic movies as Mother India, Mughal-e-Azam, Sholay, Dilwale Dulhania Le Jayenge, and Bajirao Mastani.A colorful, glittering cover makes it stand out on any home library shelf, and it is the perfect package for gift-giving.

Traces the development of Indian cinema from the 1920s to the mid-1990s, before "Bollywood" erupted onto the world stage.Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India’s social and mythological films, Rosie Thomas examines the subaltern genres of the “magic and fighting films”―the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before “Bollywood” erupted onto the world stage in the mid-1990s.Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.

Traces the development of Indian cinema from the 1920s to the mid-1990s, before "Bollywood" erupted onto the world stage.Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India’s social and mythological films, Rosie Thomas examines the subaltern genres of the “magic and fighting films”―the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before “Bollywood” erupted onto the world stage in the mid-1990s.Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.

An exhibition catalogue of "Bollywood Cinerma Showcards" held at the Royal Ontario Museum, June 11, 2011 to October 2, 2011.

Bollywood Bloodbath: The B-Music of the Indian Horror Film Industry Various Artists - LP 5060099503313

Bollywood Sounds focuses on the songs of Indian films in their historical, social, commercial, and cinematic contexts. Author Jayson Beaster-Jones takes readers through the highly collaborative compositional process, highlighting the contributions of film directors, music directors (composers), lyricists, musicians, and singers in song production. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs have long mediated a variety of musical styles, instruments, and performance practices to create a uniquely cosmopolitan music genre. As an exploration of the music of seventy years of Hindi films, Bollywood Sounds provides long-term historical insights into film songs and their musical and cinematic conventions in ways that will appeal both to scholars and to newcomers to Indian cinema.

An exhibition catalogue of "Bollywood Cinerma Showcards" held at the Royal Ontario Museum, June 11, 2011 to October 2, 2011.

Beyond Bollywood is the first comprehensive look at the emergence, development, and significance of contemporary South Asian diasporic cinema. From a feminist and queer perspective, Jigna Desai explores the hybrid cinema of the "Brown Atlantic" through a close look at films in English from and about South Asian diasporas in the United States, Canada, and Britain, including such popular films as My Beautiful Laundrette, Fire, Monsoon Wedding, and Bend it Like Beckham.

In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including composers, directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include: history of Indian cinema main themes and characteristics of Hindi cinema significant films, directors and stars production and distribution of Bollywood films interviews with actors, directors and screenwriters. Anyone interested in, or studying Bollywood cinema will find this a valuable purchase.

Bollywood is one of the most prolific film industries in the world. Based in Mumbai (formerly Bombay), the industry churns out hundreds of films each year primarily melodramatic films with music and elaborately choreographed dance routines. Bollywood's popularity is quickly spreading across the globe, and, beyond the films themselves, Bollywood has made its way into global popular culture.Global Bollywood brings together leading scholars to examine the transnational and transmedia terrain of Bollywood. Defining Bollywood as an arena of public culture distinct from Hindi-language Bombay cinema, this volume offers a new critical framework for analyzing the institutional, cultural, and political dimensions of Bollywood films and film music as they begin to constitute an important circuit of global flows in the twenty-first century.Organized thematically, the book examines contestations surrounding the term “Bollywood,” changing relations between the state and the film industry, convergence with television and new media, online fan culture, film journalism, and the reception and negotiations of gender and sexuality in diverse socio-cultural contexts. Global Bollywood is indispensable for understanding not only Bollywood cinema and culture but also how global media flows are reconfiguring relationships among geography, cultural production, and cultural identity.

Hand-painted movie posters that made Bollywood a winner Since its inception in the second decade of the 20th century, the Bombay-based Indian film industry—Bollywood—has developed a unique visual language, articulated by the vivid hand-painted movie posters that have since become highly-desirable collectors' items. While Bollywood poster artists produced a staggering number of these hand-painted images, their ephemeral work has traditionally been presented unevenly, with shoddy reprints and re-release posters. The Art of Bollywood digs deeper into the tradition, presenting the original art in its true glory—from seldom-seen posters to rare images of street publicity and cinema displays. The text provides a detailed discussion of the works of key artists, in this comprehensive overview of a previously neglected and underrated artistic genre.

An exuberant history of Bollywood posters. Today, its movies delight movie-goers everywhere, and India makes more films than any nation.

On the streets of the vibrant and anarchic city of Mumbai, the film poster is a familiar splash of color. It is an invitation to the pleasures of Bollywood, the world’s largest film industry. The collision of this most democratic of art forms with one of the liveliest movie genres results in a glorious explosion of color, form, and typography.On the streets of the vibrant and anarchic city of Mumbai, the movie poster is a familiar splash of color. It is an invitation to the pleasures of Bollywood, the world's largest film industry. The collision of this most democratic of art forms with one of the liveliest movie genres results in a glorious explosion of color, form, and typography.Bollywood's film posters have a long and illustrious history, and it is brilliantly celebrated here. The posters included span the entire history of Hindi movies, from the early twentieth century to the present day.Bollywood movies are a much-loved international phenomenon, and this book is sure to have an avid audience among its fans. But its appeal extends beyond that--graphic designers and artists will find much to inspire them as well.Jerry Pinto has written several books on the Indian film industry, including Helen: The Life and Times of an H-Bomb. Sheena Sippy is a photographer whose work has been featured in Vogue, Elle, and Time. 225 color illustrations

India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.

Mumbai is a city that thrives on extravagant spectacles and larger-than-life characters.But as Chopra is about to discover, even in the city of dreams, there is no guarantee of a happy ending.Rising star and incorrigible playboy Vikram Verma has disappeared, leaving his latest film in jeopardy. Hired by Verma's formidable mother to find him, Inspector Chopra and his sidekick, baby elephant Ganesha, embark on a journey deep into the world's most flamboyant movie industry.As they uncover feuding stars, failed investments and death threats, it seems that many people have a motive for wanting Verma out of the picture.And yet, as Chopra has long suspected, in Bollywood the truth is often stranger than fiction...

An encyclopedia of Bollywood films, this book takes readers from the silent era films to the latest box-office hits of the current year. Written by two of the finest film journalists, this lavishly illustrated title features some rare archival photos collected from all over the country. Special features include pen-portraits of famous actors, trade details, interviews of eminent fil personalities and more.

On the streets of the vibrant and anarchic city of Mumbai, the film poster is a familiar splash of color. It is an invitation to the pleasures of Bollywood, the world’s largest film industry. The collision of this most democratic of art forms with one of the liveliest movie genres results in a glorious explosion of color, form, and typography.On the streets of the vibrant and anarchic city of Mumbai, the movie poster is a familiar splash of color. It is an invitation to the pleasures of Bollywood, the world's largest film industry. The collision of this most democratic of art forms with one of the liveliest movie genres results in a glorious explosion of color, form, and typography.Bollywood's film posters have a long and illustrious history, and it is brilliantly celebrated here. The posters included span the entire history of Hindi movies, from the early twentieth century to the present day.Bollywood movies are a much-loved international phenomenon, and this book is sure to have an avid audience among its fans. But its appeal extends beyond that--graphic designers and artists will find much to inspire them as well.Jerry Pinto has written several books on the Indian film industry, including Helen: The Life and Times of an H-Bomb. Sheena Sippy is a photographer whose work has been featured in Vogue, Elle, and Time. 225 color illustrations

The past few decades of accelerated globalization, characterized by a proliferation of appearances, images, and information, has revealed a strong preoccupation with film stars and celebrity culture in India. Shah Rukh Khan, also known as SRK, in this context, has emerged as an important figure. Located within the context of global Bollywood cinema, SRK and his persona have led to a unique experience and understanding of stardom vis-à-vis a liberalized and urban Indian culture. As an actor, entrepreneur, icon for India and "Indianness," and as the quintessential diasporic star, his appeal cuts across regional, linguistic, and national boundaries.A valuable addition to Indian cinema studies, star studies, and scholarly work on SRK, this collection of essays draws attention to the ways in which his stardom acts as an emblem for diasporic and transnational desires in modern India and beyond. Written by eminent and emerging scholars from across the globe, the essays engage with questions about stardom in a media-centred world. In doing so, they create meaning and probe further into the complex world that emerges as a result of SRK being the agent and content of various media practices.

The past few decades of accelerated globalization, characterized by a proliferation of appearances, images, and information, has revealed a strong preoccupation with film stars and celebrity culture in India. Shah Rukh Khan, also known as SRK, in this context, has emerged as an important figure. Located within the context of global Bollywood cinema, SRK and his persona have led to a unique experience and understanding of stardom vis-à-vis a liberalized and urban Indian culture. As an actor, entrepreneur, icon for India and "Indianness," and as the quintessential diasporic star, his appeal cuts across regional, linguistic, and national boundaries.A valuable addition to Indian cinema studies, star studies, and scholarly work on SRK, this collection of essays draws attention to the ways in which his stardom acts as an emblem for diasporic and transnational desires in modern India and beyond. Written by eminent and emerging scholars from across the globe, the essays engage with questions about stardom in a media-centred world. In doing so, they create meaning and probe further into the complex world that emerges as a result of SRK being the agent and content of various media practices.